At very first look, these failed to very feel like Mike Lee performs. The shade palette is there, that pretty much technological precision is there, like digital prints hand-painted. But what utilized to be extra figurative has grow to be illusions of lifestyle, a hint of a determine but ghostly. It is almost as if he is at a struggle with his tools, to understand what to display and what to leave to an creativeness. The results are thrilling for an artist with a masterful hand and ingenuity in his technique for decades now.
“Gaming culture was a large section of my adolescence and a sort of escape,” Lee claims. “As a baby, the fascination with war was tied to a level of fantasy and excitement, but approaching adulthood I developed a better being familiar with of the real outcomes. The increase of the net and access to common info furnished me an insight to the huge catastrophes as very well as the discrepancies of the media’s encapsulation of actuality.”
His solo display, No Man’s Land, on perspective at 50 percent Gallery in NYC, feels assured and delberate in his new target on floor and story. It is really a silent nod to conflicts in existence and in politics, also an knowing that humanity has shifted above the training course of the past 3 years. Lee is up for the obstacle of the second. —Evan Pricco